About


Portrait taken by Teri Varhol
Elena Helfrecht (b. 1992 in Bavaria; based in London and Bavaria) is a visual artist working with photography.

In 2019 she completed her MA in Photography at the Royal College of Art in London, after receiving her BA in Art History and Book Science from Friedrich-Alexander-University in Erlangen in 2015 and briefly studying Art and Image History at Humboldt-University in Berlin from 2016 to 2017.

Elena’s work revolves around the inner space and the phenomena of consciousness, emerging from an autobiographical context and opening up to the surreal and fantastic, at times grotesque. Interweaving memories, experiences, and imagination, she creates an inextricable narrative with multiple layers of meaning characterised by a visceral iconography. Within her practice, she regards photography as a performative action and an extended form of procreation. Engaging in experimentation and play becomes a direct connection between the internal and the external realm. Through this process, she relates individual experiences to a collective history and turns personal involvement into a shared understanding.  Growing up in the Bavarian countryside, the folklore and landscapes from her childhood are rooted in her heart and constantly influence her work, as does her love for Art History, Literature, and Psychology.

In 2020, her work was nominated for the Foam Paul Huf award and selected as a finalist for the Sony World Photography Awards, HSBC Prix pour la Photographie, The Aftermath Project Grant, and as a winner of Camera Work hosted by Palazzo Rasponi 2. She was one of the Bloomberg New Contemporaries in 2019, showing at South London Gallery and Leeds Art Gallery, and a Jury Favourite for the Le Bal Award for Young Creation, as well as a winner of the AOP Student Awards, Magenta Flash Forward, and the Ginnel Foto Award in the same year. Recent publications include the British Journal of Photography, HANT Magazin, Der Greif and ‘On Death’ by Kris Graves Projects and the Humble Arts Foundation, which was one of Time’s 30 Best Photobooks of 2019.